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Running head: CATWOMAN

 

 

 

This Cat Has Two Lives – That’s All She Needs:

A Psychological Analysis of Catwoman

Ann T. Leach

Henderson State University

  

Abstract

A psychological analysis of the comic book character Catwoman delves into what has driven her to become the feline femme fatale of Gotham City. Selina Kyle had a difficult childhood resulting in eventual incarceration in Gotham’s juvenile detention center. In adulthood Selina develops an alter ego- Catwoman. This alter ego meets many of the criteria for Antisocial Personality Disorder: 1) Failure to conform to social laws demonstrated by repeated illegal acts, 2) Deceitfulness; repeated lying or use of aliases, 3) Aggressiveness indicated by repeated acts of violence, 4) Reckless disregard for safety of others or self and 5) Lack of remorse. But there is another side, Selina Kyle is often seen helping those who she feels have been trampled by society. She also does not feel remorse for her cat-burglary because she only steals from those whose wealth has been acquired through the exploitation of the less fortunate. All this leads to the question: Does Catwoman have Antisocial Personality Disorder or is she simply misunderstood?


 

This Cat Has Two Lives – That’s All She Needs:

A Psychological Analysis of Catwoman

She was born Selena Kyle to Brian and Maria Kyle. According to Catwoman, #0, Maria Kyle suffered severe depression and preferred to spend her time with her cats rather than her children. "Irony's wasted on me I guess.." (Catwoman #36). She committed suicide when Selina was very young. Brian Kyle was a lazy alcoholic. He expressed his anger at his wife for killing herself by turning his abuse on Selina because of her physical resemblance to her mother. "What's one more monster on the streets of Gotham?" (Catwoman #37).  Brian soon died from complications of alcohol abuse.

The death of their parents left Selina and her younger sister Maggie at the mercy of the Gotham City child welfare system. At first Selina tried living on the streets but eventually ended up at the Seagate Juvenile Home for Girls. "I'm always glad to accept an upgrade in accommodations" (Catwoman #4). It was here "Selina began to see how hard the world could really be" (Brubaker & Johns, 2002). When Selina was 13 years old she discovered that the administrator of Seagate was embezzling money. Selina confronted her. "I'm warning you...don't back me into a corner!" (Catwoman #0). In an attempt to cover up the crime, the administrator put Selina in a bag and dropped her in the river to try to kill her. This act was reminiscent of the way someone might kill unwanted kittens. "...so the more you threaten me, the stronger I get." (Catwoman #59).  Selina escaped from the bag and then snuck into the offices of the Seagate home. She stole files which she then sent to the authorities to expose the administrator’s treachery. While she was stealing the files she also stole some money to provide for herself for a while. This was her first taste of cat burglary (Catwoman, #0).

At this point Selina developed her alter-ego, Catwoman. "A long time ago, before I put on this mask I was afraid of everything" (Catwoman #59).  She then goes on to become quite proficient at her chosen craft. "Evidently, crime does pay..." (Catwoman #48). This is one version how Catwoman began her career, there are others but this is the background most fitting for the purposes of this analysis. "I mean, what do you think created me . . . ? What do you think I really am? What do you think makes me strong?" (Catwoman #59).

One disorder, Anti-Social Personality Disorder, seems to come close to fitting Catwoman. The Diagnostic Statistical Manual of Mental Disorders Fourth Edition Text Revision (DSM-IV-TR) list the requirements for Anti-Social Personality Disorder as having three or more of the following criteria: (1.) Failure to conform to social norms with respect to lawful behaviors as indicated by repeatedly performing acts that are grounds for arrest, (2.) Deceitfulness, as indicated by repeatedly lying, use of aliases, or conning others for personal profit or pleasure, (3.) Impulsivity or failure to plan ahead, (4.) Irritability and aggressiveness, as indicated by repeated physical fights or assaults, ( 5.) Reckless disregard for safety of self or others, (6.) Consistent irresponsibility, as indicated by repeated failure to sustain consistent work behavior or honor financial obligations, (7.) Lack of remorse, as indicated by being indifferent to or rationalizing having hurt, mistreated, or stolen from another. On the surface Catwoman does seem to meet several of these criteria, namely #1, #2, #4, #5, and #7. However, closer examination of these criteria may cast doubt on this diagnosis.

Catwoman definitely does not conform to social norms. She does not respect lawful behaviors and makes her living by performing acts that are grounds for arrest. This would seemingly be an inarguable fact. Closer inspection, however, may give a slightly different perspective. Selina learned survival as a young person on the streets where there were only a limited number of ways a person could make a living. One could eat out of dumpsters, become a prostitute at the mercy of a pimp, or one could become a thief. She chose the latter. “Petty theft put food in her belly and clothes on her back” (Beatty, 2004). So, the question is, “if she steals as a learned survival technique, does this then qualify as meeting the criteria for Anti-Social Personality? "And me. Just a hard-working girl trying to make it in a man's world" (Catwoman #31).

The second criteria that Catwoman displays is the use of deceitfulness, as indicated by repeatedly lying, use of aliases, or conning others for personal profit or pleasure. Obviously when dressed as Catwoman she is using an alias and she definitely lies about her true identity. Very few people are aware that Catwoman and Selina Kyle are one and the same person. But, this deception is necessary to protect herself from incarceration. "They may suspect me, but they'll never see me. They may chase me, but they'll never catch me. Never, never, ever catch me."  (Catwoman #19). When the debutant, Selina Kyle, goes out in the world authorities would arrest her on the spot if they knew she was really Catwoman. The use of an alias could be interpreted as meeting the deception criteria, "The claws and the costume get 'em every time" (Catwoman #11). But, the fact that it is a survival method might contraindicate it as a personality disorder trait.

Criteria number four should also be considered: Irritability and aggressiveness, as indicated by repeated physical fights or assaults. Okay, okay all cats have a nasty side. They all get a bit grouchy and out come the claws. And yes, sometimes Catwoman does have to use her considerable martial arts skills against her foes, and she does carry a whip. But she only uses violence when it’s unavoidable.  "I don't kill when it can possibly be helped" (Catwoman #61). However, doesn’t everybody get up on the wrong side of the bed occasionally? Besides, when she must beat up some guy, he usually deserves it. Sometimes she is simply defending herself. As Catwoman herself said, “Little birds should stay away from big bad kitty cats”(Catwoman #25).  Obviously, this trait can be interpreted in more than one way.

Now we come to: Reckless disregard for safety of self or others. Catwoman does find it necessary to put herself in danger at times, but this is an unfortunate consequence of her chosen profession. It is not a “reckless disregard” for her personal safety; it is simply part of the job. "Makes me feel almost virtuous" (Catwoman #52). At times she does put others in danger, but again, it is not reckless endangerment,  it is quite purposeful endangerment. In addition, the person in danger from Catwoman is usually in dire need of a little behavior modification therapy – and she’s just the cat to give it to them. "God help me. I'm a glorified civil servant!" (Catwoman #17).

Now we’ll discuss the last criteria that might apply: Lack of remorse, as indicated by being indifferent to or rationalizing having hurt, mistreated, or stolen from another. On the surface the fact that Catwoman does not feel sorry for her actions might seem to fit this criteria purrrfectly. However,Catwoman chooses her “victims” carefully from among those who have gotten their wealth through the exploitation of the less fortunate. The people she steals from are drug dealers, mobsters, and other villains. "Revere women and babies--not withered old men who run drug cartels." (Catwoman #22). Also, as Selina Kyle, she donates part of the stolen money back to the community to help those who are disadvantaged. “That streak of good in Selina runs deep, especially when she robs the deep-pocketed rich and give a goodly portion to the needy” (Beatty, 2004). This Robin Hood mentality allows Selina/Catwoman to feel that she is doing nothing wrong, only dispensing justice. Therefore, if she is actually doing good, why should she feel remorse?  "Life would be so much easier if I didn't have this conscience!" (Catwoman #9).

The DSM-IV-TR states “The essential feature on Antisocial Personality Disorder is a pervasive pattern of disregard for, and violation of, the rights of others that begins in childhood or early adolescence and continues into adulthood.” This being the case, it is obvious that Catwoman does not have Antisocial Personality Disorder. She does not disregard the rights of others, unless of course they deserve it. She is actually a very caring person, but because of her childhood she only allows that side of herself to emerge at a safe distance. Selina’s fear of being hurt again does manifest in a fear of intimacy, but that doesn’t mean she has no feelings for others. "That's me all right...the bleeding heart humanitarian." (Catwoman #12). Most of her actions are born of a desire to help the less fortunate, but others can be attributed to the need for self-preservation. In fact, all things considered, Catwoman could be said to be quite well adjusted … Or is she? "So I'm certifiable" (Catwoman #33).

 


 

References

American Psychiatric Association: Diagnostic and Statistical Manual of Mental Disorders, Fourth Edition, Text Revision. Washington, DC, American Psychiatric Association, 2000

 

Brubaker, Ed, & Johns, Geoff (2002). Catwoman Secret Files and Origins, DC Comics, New York, NY, 2002

 

Beatty, Scott (2004). Catwoman, The Visual Guide to the Feline Fatale, DK Publishing, Inc, New York, NY, 2004

 

Catwoman Comic Book Series (1994-2008). DC Comics,  New York, NY, 1994-2008. Catwoman #0, Catwoman #4, Catwoman #9, Catwoman #11, Catwoman #12, Catwoman #17, Catwoman #19, Catwoman #22. Catwoman #25, Catwoman #31, Catwoman 33, Catwoman #36, Catwoman  #37, Catwoman #48, Catwoman #52, Catwoman #59, Catwoman #61

 

 

The Ongoing Adventures of Rocket Llama[1] is a webcomic starring "a high-flying llama, a sword-swinging cat, and a rocket as loyal as a cowboy hero's horse."[2] Created by Alex Langley while he was a student at Henderson State University, the comic first appeared in a comic book titled The Workday Comic. For the Workday comics anthology, a spin-off of Scott McCloud's 24-Hour Comics, comics creators each wrote and drew their own eight-page stories in eight hours in April, 2007, on Friday the 13th[3], which turned into an ongoing publication.[4]  Co-presenting with comics author and scholar Danny Fingeroth (Dazzler, Spider-Man, Superman on the Couch), the creators described the webcomic's evolution as members of a Comics Arts Conference panel at 2008's Comic-Con International in San Diego, California.[5][6][7]  Contents [hide] 1 Debut  2 Webcomic  3 References  4 External links      [edit] Debut The full title of Rocket Llama's debut story in The Workday Comic #1 (spring, 2007) was "The Ongoing Adventures of Rocket Llama #112: 'Trouble in Paradise'".[8] The story introduced the taciturn hero Rocket Llama and his talkative sidekick, an anthropomorphic cat named Bartholomew Meowsenhausen, who find themselves stranded on an island after a battle with an enemy called Jetpack Dog. Spherical islanders capture them and then challenge them to combat. A villain named Böwser vön Überdog arrives with Jetpack Dog and, in a sudden Star Wars parody, summons a giant robot known as the Super Robot Dog Walker which blasts a volcano to bits. Before it can fire a second blast, Rocket Llama destroys it by getting it to swallow a pot of water and backfire. The story ends with Böwser tied up and the heroes using the giant robot dog head as a boat to get themselves home, with the promise of the next story to be titled, "Yuck! Yukon!"[9][10]  Whether despite the original story's childlike art or because of it, the Rocket Llama story proved to be the most popular in the 2007 anthology collection of the eight-hour comics.[11] After comic artist Stephen R. Bissette, an instructor at the Center for Cartoon Studies and comic book artist best known for his work on Swamp Thing with Alan Moore, read all of the stories in the first volume of The Workday Comic, he remarked, "That llama's gonna stick with me."[12]   [edit] Webcomic Nick Langley redrew the story with a less childlike drawing style in webcomic form for online publication[13] as the flagship title for the website rocketllama.com which grew into an affiliation of websites featuring webcomics, art, entertainment reviews, and scholarly studies of comics.[14] The online story featured a new cover[15] and omitted a one-page gag, a preview for an unrelated Stealth Potato comic, which had appeared as an intermission in the middle of the original story.[16] The original story also appeared online as the comic's "ashcan copy."[17]  The authors present the Rocket Llama stories metafictionally as the world's oldest comic book, established in 1916, which they allegedly rediscovered and are adapting into webcomics. "Deep underground, in an archaic vault we searched until we found the fabled tales. As both the current production team behind The Ongoing Adventures of Rocket Llama and appreciators of such groundbreaking literature, we have taken it upon ourselves to restore these classic issues to a glory more befitting a modern, digital age."[18]  Although every "issue" is presented with panels and screens in the correct order for each story, the issues are presented out of order as if readers were discovering old issues of a classic comic book in a seemingly haphazard order, however they come to find them. After the redrawn number 112's online publication came the serialized time travel story #136-137, "Time Flies When You're on the Run," appearing one page at a time throughout each week.[19][20] Special Rocket Llama Says bonus features appear only in "ashcan" form drawn by the original creator.[21]   [edit] References ^ Rocket Llama World Headquarters  ^ You are here.  ^ Waddles, Joshua. (2007, April 2). Comic book club puts in a full day's work. The Oracle vol. 99 (25), p. 3.  ^ Beard, Sarah. (2008, August 25). Comic Arts Club offers excitment. The Oracle, vol. 101 (1), p. 5.  ^ T. Langley & R. Duncan, panel moderators, with respondent Danny Fingeroth. (2008, July). "Capes and Tights, Caps and Gowns." Panel presented at the Comics Arts Conference, Comic-Con International. San Diego, California.  ^ Recent and Upcoming Research Presentations  ^ Pannell, E. (2008, July 27). Comic communication part of professors' classes. The Arkansas Democrat-Gazette, T-1, T-4.  ^ Page 1.  ^ The Workday Comic #1. Spring, 2007.[1]  ^ The Workday Comic - online edition.  ^ Sorrell, M. (2008, April 14).Club produces second annual workday comic. The Oracle, vol. 100.  ^ Quoted in "The Workday Comic: Not Just One Third of a 24-Hour Comic." Comics Arts Conference, Comic-Con International. San Diego, California. July 27, 2008.  ^ The Ongoing Adventures of Rocket Llama #112: "Trouble in Paradise." Script: Alex Langley. Art: Nick Langley.  ^ You are here.  ^ #137-Cover.  ^ Sneak Peak at Stealth Potato #75.  ^ Rocket Llama Ashcan Copy.  ^ Who Is Rocket Llama?  ^ "Time Flies When You're on the Run, Part 1." Script: Alex Langley. Art: Nick Langley.  ^ "Time Flies When You're on the Run, Part 2." Script: Alex Langley. Art: Nick Langley.  ^ e.g., "Tanks a Lot." Rocket Llama Says #8. Script and art: Alex Langley.

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